Scale Theory, Serial Theory and Voice Leading
Identifieur interne : 000316 ( Main/Exploration ); précédent : 000315; suivant : 000317Scale Theory, Serial Theory and Voice Leading
Auteurs : Dmitri Tymoczko [États-Unis]Source :
- Music Analysis [ 0262-5245 ] ; 2008-03.
English descriptors
- Teeft :
- Algorithm, Arbitrary chords, Bijective, Bijective voice, Bijective voice leadings, Blackwell, Blackwell publishing, Callender, Chord, Chord moves, Chord progression, Chord progressions, Chromatic motion, Chromatic transposition, Chromatic transpositions, Contrapuntal, Diatonic, Diatonic collection, Displacement multiset, Dmitri, Dmitri tymoczko, Downwards, Dualistic, Dualistically, Dualistically equivalent, Fuzzy transposition, Important role, Interscalar, Interscalar interval matrices, Interscalar interval matrix, Interscalar transposition, Interscalar transpositions, Interval, Inversion, Inversional equivalence, Inversionally, Journal compilation, Large number, Lewin, Major scale, Major triad, Major triads, Matrix, Maximally, Maximally voice, Metric, Metrics, Minimal bijective voice, Minimal voice, Minimal voice leadings, Minor triad, Minor triads, Multiple copies, Multiset, Multisets, Music analysis, Music theory, Music theory spectrum, Nding voice leadings, Octave, Other words, Parsimony, Perfect fourths, Pitch class, Pitch class moves, Pitch classes, Pitch sets, Pitch space, Present article, Previous paragraph, Principal direction, Progression, Quinn, Real number, Real numbers, Richard cohn, Riemannian dualism, Rotational arrays, Same size, Scalar, Scalar distance, Scalar distances, Scalar interval matrices, Scalar interval matrix, Scalar intervals, Scalar transposition, Scalar transpositions, Scale degree, Scale degrees, Scale step, Scale theory, Second chord, Second scale degree, Semitonal, Semitonal voice, Semitone, Serial theory, Seventh chord, Seventh chords, Single pitch class, Smallest bijective voice, Source chord, Special case, Standard metrics, Substitution, Such voice leadings, Theorist, Traditional intervals, Transpose, Transposition, Transpositional, Triad, Tristan, Tristan chord, Tristan prelude, Tritone, Tritone substitution, Tritone transposition, Trivial voice, Tymoczko, Unordered collection, Upper voices, Voice crossings, Voice exchanges, Voice leadings, Voice moves, Voices move.
Abstract
Efficient voice leading, in which melodic lines move by short distances from chord to chord, is a hallmark of many different Western musical styles. Although musicians can often find maximally efficient voice leadings with relative ease, theorists have not adequately described general principles or procedures for doing so. This article formalises the notion of voice leading, shows how to classify voice leadings according to transpositional and inversional equivalence and supplies algorithms for identifying maximally efficient voice leadings between arbitrarily chosen chords. The article also includes analytical and theoretical discussions of neo‐Riemannian theory, the ‘tritone substitution’ in contemporary jazz, the music of Wagner and Debussy, the relation between harmony and counterpoint and the connections between scale theory and serial theory.
Url:
DOI: 10.1111/j.1468-2249.2008.00257.x
Affiliations:
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Le document en format XML
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<term>Bijective voice</term>
<term>Bijective voice leadings</term>
<term>Blackwell</term>
<term>Blackwell publishing</term>
<term>Callender</term>
<term>Chord</term>
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<term>Chord progression</term>
<term>Chord progressions</term>
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<term>Chromatic transposition</term>
<term>Chromatic transpositions</term>
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<term>Fuzzy transposition</term>
<term>Important role</term>
<term>Interscalar</term>
<term>Interscalar interval matrices</term>
<term>Interscalar interval matrix</term>
<term>Interscalar transposition</term>
<term>Interscalar transpositions</term>
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<term>Lewin</term>
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<term>Maximally</term>
<term>Maximally voice</term>
<term>Metric</term>
<term>Metrics</term>
<term>Minimal bijective voice</term>
<term>Minimal voice</term>
<term>Minimal voice leadings</term>
<term>Minor triad</term>
<term>Minor triads</term>
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<term>Scalar transpositions</term>
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<term>Scale step</term>
<term>Scale theory</term>
<term>Second chord</term>
<term>Second scale degree</term>
<term>Semitonal</term>
<term>Semitonal voice</term>
<term>Semitone</term>
<term>Serial theory</term>
<term>Seventh chord</term>
<term>Seventh chords</term>
<term>Single pitch class</term>
<term>Smallest bijective voice</term>
<term>Source chord</term>
<term>Special case</term>
<term>Standard metrics</term>
<term>Substitution</term>
<term>Such voice leadings</term>
<term>Theorist</term>
<term>Traditional intervals</term>
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<front><div type="abstract" xml:lang="en">Efficient voice leading, in which melodic lines move by short distances from chord to chord, is a hallmark of many different Western musical styles. Although musicians can often find maximally efficient voice leadings with relative ease, theorists have not adequately described general principles or procedures for doing so. This article formalises the notion of voice leading, shows how to classify voice leadings according to transpositional and inversional equivalence and supplies algorithms for identifying maximally efficient voice leadings between arbitrarily chosen chords. The article also includes analytical and theoretical discussions of neo‐Riemannian theory, the ‘tritone substitution’ in contemporary jazz, the music of Wagner and Debussy, the relation between harmony and counterpoint and the connections between scale theory and serial theory.</div>
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